As part of our foundational brand work with Ocean Spray, we had repositioned them from a juice company to a cranberry company, showing cranberries as an essential source of disruptive power and flavor.

Thanksgiving is a big moment for the brand culturally, and the most crucial time of year for the company’s sales.

And the brand was losing ground with millennials, right as millennials were taking over holiday hosting duties in their extended families. We needed to make the brand relevant with this audience and lift sales during this critical time of year.

We chose to do it with the product that made Ocean Spray famous 90+ years ago: the canned cranberry jelly, which many people viewed as a vestige of a different time and an antiquated way of eating.

The creative idea was simple: cranberry jelly is weird.

It wobbles. It quivers. It’s an unnatural shape and a bright red color.

Its strangeness makes it an interesting party guest – a standout on a table of beige, bland Thanksgiving foods.

And it's often the last thing to hit the table, like a jiggling punctuation mark to the holiday spread. When the jelly lands, the party has begun.

We pushed this product’s strange qualities to the extreme, with a film where the power of the jelly’s wobble compels an entire family to wobble along with it. Turning their boring holiday dinner into something wild and absurd.

The takeaway: when you bring the cranberry jelly, you bring the fun.

To make this moment impactful and culturally contagious, we gave the jelly its own original dance track and turned the wobble into a dance that anyone could do, via a TikTok challenge.

Knowing we had to capture the attention of millennials, we probed two areas: their relationship with advertising and their relationship with Thanksgiving. Both areas presented a challenge.

We knew millennials were immune to traditional CPG advertising. The CPG playbook—i.e. making food look delicious—was not going to work. Especially since our product was not delicious-looking–it’s gelatinous, strange, and unnaturally-shaped.

And after several years of canceled holiday gatherings, disrupted traditions, and significant collective grief, an ad that showed saccharine holiday magic would feel dishonest and out-of-touch.

Our key strategic choice was to take the collective anxiety around this first post-COVID Thanksgiving and create a moment of joyful catharsis.

Our audience was ready for a wild, even messy, party. So using our strange, jiggling cranberry jelly, we delivered exactly that.

Creative decisions were inspired by the strange product intrinsics: it’s red, tart, and jiggly. We used these qualities as our guide in making an entertaining, bold, and unconventional holiday campaign.

We constructed a relentlessly boring, beige Thanksgiving to be disrupted by the bright red jelly. We paid careful attention to set design and wardrobe, especially color.

We cast a mix of dancers and actors who could be subdued and bored, and then transform–moving their bodies wildly to mimic the jelly’s movements.

We composed an original dance track with Mack Goudy, Jr. that could compel wild movement.

With careful budgeting, we cut a :60, :30, :15, three :06s for TV, OLV and social. We scaled the campaign with a TikTok dance challenge, wild postings, high-profile World Series TV placements and a ten-hour long cranberry yule log video that was the longest pre-roll ever created.

The campaign received over 4.5 billion PR impressions, making cranberry jelly the most talked-about product in pop culture for the holidays.

From TikTok to Twitter, Ocean Spray saw over 236k engagements. Brand mentions were up 77% YoY, with positive mentions up +399%, and all mentions staying 94% positive/neutral. The spot also had one of the highest completion rates on YouTube (+40% above benchmark).

Sales for cranberry jelly increased 27% YoY. Sales increased cross-portfolio too: Juice was up +6% vs YA and Dried Fruit +11%.

Ocean Spray experienced unprecedented lifts across nearly all aspects of the brand, and the industry and public reacted intensely to the work. From ranking on top ad lists to reactions from the public, there was a consistent theme. As one critic said, “If this is the future of advertising in a world of too many things fighting for your attention, I’m all for it.”