Digital Craft > Form

UNFORGETTABLES

THE GOOD COMPANY, Paris 5ème / SIDACTION / 2022

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Film
Case Film
Supporting Content

Overview

Credits

Overview

Describe the creative idea

66% of young people admit that they don’t systematically use protection. Even worse, they think HIV is a thing of the past.

Sidaction - France’s most established HIV/ AIDS organization - needed to take action.

Because young people love movies and TV shows - but since these films and series almost never show condoms being used - we decided to create 20 new clips that fit perfectly into some of the most iconic and unforgettables sex scenes.

To get our audience to engage with these scenes, we created an online game launched on a tailor-made digital platform.

Describe the execution

Our objective was to principally focus on a national scale where Sidaction is mainly known.

The campaign was designed to be concentrated during the month of December. We supported it on social media with various contents and with the help of french influencers such as Bilal Hassani (LGBTQ+ Icon 604K followers on Instagram) and french celebrities friends with Sidaction's organization, such as Tv host Nikos Alliagas (953K followers on Instagram).

This campaign was mainly hosted on a website : https://www.unforgettables.fr/

We also used some of these iconic scenes to advertise our work on social media.

Write a short summary of what happens in the film.

We shot 20 new scenes that fit perfectly into some of the most iconic and unforgettable sex scenes. 20 new scenes that all show condoms being used, as if they had been in these films and TV series all along.

Cultural / Context information for the jury

66% of young people admit that they don’t systematically use protection. Even worse? They think HIV is a thing of the past.

Sidaction - France’s most established HIV/ AIDS organization - needed to take action.

The main challenge was to get this audience attention in a meaningful way, and to have them using protection against a disease they tend to ignore.

Tell the jury about the production design / art direction.

We had to individually calibrate the sound, rhythm, composition and color grading of each scene, in order to adhere to the exact specificities of their original scenes.

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