Entertainment Lions For Music > Music Content

ADO / YORU NO PIERROT(TEDDYLOID REMIX)

ENJIN, Tokyo / GOOGLE / 2022

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Overview

Credits

Overview

Why is this work relevant for Music Entertainment?

Because it focuses on the new possibilities of a ‘display,’ essential in this age where we enjoy music through sound and image by creating a super high-definition digital world for the large screen in the pursuit to evolve the music experience from ‘PLAY MUSIC’ to ‘DISPLAY MUSIC.’

Background

Nico-Nico Doga is a Japan-original video streaming platform where there is a thriving culture of unknown musicians who showcase their music generated through a software, combining the melody and lyrics sung by vocaloids.

This song then becomes a collaborative platform for other singers who perform their own versions as well as illustrators jumping in to create a music video. Those who take part in this creative platform are all unknown and unsigned artists and creators who take part purely out of mutual respect for the fellow creative talents.

Nico-Nico Doga is THE place for Gen Zs and the youth which has now become a breeding ground for many hits as well as artists who move onto the major music scene.

Describe the creative idea

Ado is one of the top artists who started in Nico-Nico Doga. Her song, “Ussewa,” which she released in 2020 became a social phenomenon recording 180million views on YouTube. The only thing the fans know about Ado is that she’s an 18-year-old female artist and the one illustration profile. Her real name, feature, and background remains a mystery.

Her latest hit, “Yoru No Piero(The Night Clown)” is a story of a girl who is on a journey to discover her own identity, caught between the real and digital worlds. Set in neo-Shibuya, Tokyo, the billboards that light up the global cities of NY, Paris, Shanghai, etc., have become the canvas for the many young unknown artists.

The story captures the internal struggle of Ado herself who suddenly became the social darling in the physical world with her song and visuals plastered on the billboards all over the city.

Describe the strategy

With the advent of YouTube, music has evolved as an art form beyond the sound to offer visual entertainment. This is furthered by the fast-changing sound environment with smartphones, big screen TV, AI speakers with displays, etc.

On the other hand, majority of Gen Zs enjoy YouTube on their small smartphone screen which naturally makes a bulk of the online content to be designed for such display but these new music experiences enjoyed through the various devices is, no doubt, opening up creative possibilities.

Google caters to these demands through products and services as they aim to evolve their music experience offering from “PLAY MUSIC” to “DISPLAY MUSIC,” tapping into the new possibilities of a ‘display’ as we enter this age of enjoying music not just with sound but with images.

Describe the execution

This work was designed to enhance the music experience on the large screen. Set on the future city, “neo Shibuya,” this is a super high-definition world created with the 3DCG software, houdini. The plethora of art work that captures the world of the song by the unknown illustrators fill the billboard in the music video with meticulous details that can only be appreciated on a large screen.

The bug expression throughout the city was created using original plugins which pixelates the color data, creating a unique bug/glitch expression. Two minutes and ten seconds into the video is where we see the 360-degree scan of Shibuya which was converted into a point cloud format then combined with illustration and CG.

Describe the outcome

Since its release, it became an instant sensation, being widely covered across various TV programs, clocking in over 3,000 LIKEs and 1,000 RETWEET on Twitter and over 130million PR Impressions. In the first month, it recorded over 2 million views, 110,000 LIKEs, and 4,500 comments on YouTube.

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