Brand Experience and Activation > Product & Service

WAKING UP THE NEIGHBOURHOOD

OGILVY JOHANNESBURG, Johannesburg / POWA (PEOPLE OPPOSING WOMEN ABUSE) / 2011

Awards:

Bronze Cannes Lions
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Overview

Credits

Overview

ClientBriefOrObjective

We used the residents of a typical middle-class neighbourhood in South Africa as unknowing participants in a stunt designed to shock South Africans out of their apathy regarding woman abuse.

Our objective was to confront them with their own implicit tolerance of woman abuse, and force them to realise they are passively contributing to a society that allows 1400 women to be killed a year, because no one is willing to speak against it. We want people to show domestic violence was unacceptable in their community.

Effectiveness

Our stunt demonstrated what we’d set out to prove. We received vehement complaints about the drumming, but on the fight night, we heard nothing.

With no media budget, the once apathetic citizens became advocates for this anti-abuse message spreading it to millions of people. It’s been written about in over 4000 unique articles and blogs, discussed on radio, newspapers and received free flighting on local and international TV. It’s now the second best rated video on YouTube (SA, people and blogs). Calls to POWA increased by 311% with an unprecedented number of men (318%) calling to report suspected woman abuse.

Implementation

Unbeknown to the residents, we set up an experiment in a middle-class neighbourhood in South Africa. Our aim was to expose the anomaly that people fail to act when they believe domestic violence is happening, but will happily complain over trivial matters. On one night we held a practice drumming session in a quiet town-house complex; on a different night we staged a violent domestic fight with the sounds of screams, smashing glass, punches and slamming doors, to see how the neighbours would respond. We documented the event and created a two-minute mini-documentary, which we sent around virally.

Relevancy

For the same budget as a typical anti-abuse poster campaign, we wanted something more impactful that would bring the message home. Literally. By simulating domestic violence where it happens, in ‘normal’ middle-class suburbs, we created an authentic reflection of the double standard most people demonstrate in that situation.

By sending it viral, high numbers of viewers recognized themselves in those who could help stop the violence, but chose not to. This resulted in a very personal experience about a sad irony that exists in society, confronting them with their passive role in domestic violence.

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