Direct > Campaign

TWITTER REFUGEES

NATIVE VML, Cape Town / PASSOP / 2016

Awards:

Shortlisted Cannes Lions
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Case Film

Overview

Credits

Overview

CampaignDescription

We built an automated engine to hijack the global conversation and set out to remind people of one thing, that refugees are human beings.

It found comments on Twitter containing the word, “refugee” and automatically replaced that word with the phrase, “human being” - Tweeting it back to the sender and reminding the world that these are human beings that we are talking about.

ClientBriefOrObjective

Development & Production - $1162

Social Listening - $132

Creative Direction/Design - $317

Total Budget - $1611

Execution

We set out to remind people of one thing, that refugees are human beings.

We created an automated engine that scraped the global conversation on Twitter to find comments containing the word, “refugee.” It automatically replaced that word with the phrase, “human being” and Tweeted it back to the sender. To make the responses more contextual, the engine would use the word “human” if it was more relevant.

Our campaign soon spread and garnered an enthusiastic response from the Twitter community. When someone responded to our automated Tweet, a team of Community Managers who were monitoring the activity would engage in further conversation – humanising our message even more.

Outcome

The breadth of this conversation gave the campaign global reach, infiltrating the White House, media organisations, politicians, celebrities, and ordinary people.

We set out to get people talking and with zero media budget, we changed the global conversation and compelled people to change their perceptions of this human crisis.

79.6 Million Impressions

103,000 Conversations Started

139,737 Mentions

Relevancy

We built an automated engine that identified tweets containing the word, “refugee” and automatically replaced that word with the phrase, “human being”, tweeting it back to the sender and reminding them that these are human beings they are talking about.

This direct interaction between the brand and the consumer spurred conversation about the issue, and the conversation was maintained by our Community Managers in order to maximise interaction with the consumer. By building a direct relationship with our target audience we were able to change people’s perceptions about the ‘refugee crisis’.

Strategy

We chose to run our campaign on Twitter because of the instant and global nature of the platform - this allowed us to continue the conversation as it happened – making even more of an impact.

Working within the dynamics of Twitter and acknowledging user behaviour on the platform, we set up four different Twitter accounts. This allowed us to gain maximum reach and ensure constant conversation – we also included our campaign hashtag (#HumanCrisis) on the end of each response. The time between Tweets was regulated to ensure that we didn’t over saturate the conversation.

By Tweeting the revised Tweet back to the sender, we gave them and all their followers something to think about. When someone clicked on our Twitter Handle, they were able to see information regarding PASSOP and their mission – they were also then directed to the website should they want to know more.

Synopsis

The media reporting on the humanitarian crisis has painted a large group of people as “refugees”… dehumanising them and leaving them homeless. This negative news coverage has created social tensions and has had an important impact on the lives of asylum seekers and their level of integration into society.

People Against Suffering, Oppression and Poverty (PASSOP) is a not-for-profit human rights organisation devoted to fighting for the rights of asylum-seekers, refugees and immigrants.

They wanted to make people think about and understand the implications of their words and consider their own role in the crisis. To do this, we set out to get people talking about the dehumanising connotations of the word “refugee” and remind the world that these are people with real fears, hopes and dreams.

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